Tag: photograph

  • The Agfa Chief – A Definitive Guide

    Photos made in 2021 with an 80-year old camera. If you are into modifying cameras or photo history, keep reading. If not, it gets a bit dry!

    Panorama of cows made with an Agfa Chief Film Camera
    Panorama of cows made with an Agfa Chief Film Camera

    The Chief is a simple camera made around 1941 with one shutter speed and one aperture, but also manual “bulb” shutter and a selectable haze? filter. There is also focus control from Near (6-15’) to Far (15’ and BEYOND!)

    I was looking at photos of a friend’s pinhole camera recently and I was interested in the curved film plane. I wondered which other cameras from that era might have a curved film plane and I came upon the Agfa Chief. It’s a medium format camera that was made for two different film types, this one was made for PD-16. It’s wider than 120 film and has different markings, but with 616 to 120 adapters and a custom film guide extension, this camera can shoot modern 120 film.I liked the curved film plane and panoramic negative, roughly 2.25” by 4”. I had to figure out frame spacing, Ilford FP4+ has numbers that work in the red window, you just have to be a little creative to get 6 shots on a roll.

    What is the most fun? You can use the Agfa Portrait Attachment #29 and focus exactly at 42” for a close subject and a real out of focus area in the background.And that, my friends, is the Agfa Chief. Don’t leave home without it. Photos made on Ilford FP4+ and processed in Rodinal 1+50 for 15 minutes. In summary, it’s like a metal Holga with do-it-yourself frame spacing. You still have to tape up the camera to avoid light leaks. But hey, it’s fun.

  • Dramatic Landscape Photographs – Cloudscapes 2016-2017

    Spring is heating up into Summer. Here are some dramatic cloud formations captured between 2016 and 2017. These cloudscape photographs will be printed as archival inkjet prints and are available in several sizes.

    Three Pillars, 2016
    Three Pillars, 2016 – Available in 6×9, 8×12, & 18×24

    Anvil & Storm, 2016
    Anvil and Storm, 2016 – Available in 6×9, 8×12, & 18×24

    Landscape in Infrared, 2017
    Landscape in Infrared, 2017 – Available in 8×10, 11×14, & 16×20

    The Anvil, 2017
    The Anvil, 2017 – Available in 6×9, 8×12, & 18×24

  • Van Dyke Brown Historic Process Prints

    On occasion, I make Van Dyke Brown historic process prints using a technique that dates back to the mid 1800’s. What is an alt process, or historic process print? The short answer is a print made by putting a negative directly in contact with art paper that has been sensitized to record an image. A “standard” silver gelatin black and white print is made with photographic paper available from a commercial manufacturer. To make an alt process print, the photographer brushes the light sensitive chemicals onto the paper that has been selected for the print. After the paper is dry, the negative is pressed against the paper using a contact printing frame. Then, the paper and negative are exposed to UV light, either using the sun or a light box outfitted with bulbs that will expose print-out papers.

    There are many different alternative processes and excellent books on the subject. My expertise is the Van Dyke Brown and I use 4×5 or 8×10 film or digital negatives. This portrait was made using 8×10 black and white film. You can see the brush strokes where the sensitizer was brushed onto the paper and the full border of the negative. Some people display their prints with the full border visible. Others cover the film border with a mat, showing only the image area. Although I like the brush strokes, I’d like to find some old-fashioned, cabinet card style oval mats to augment the turn-of-the-last-century style.

    Large format portrait
    A portrait made using film and the Van Dyke Brown printing technique.

  • F295 Salon Exhibition 2015

    I was excited to participate in the 2015 F295 Salon exhibit at the University Art Gallery, Frick Fine Arts Building, University of Pittsburgh. My print just made the trip back safely and it’s now on the dining room wall. This is a one-of-a-kind print, an 8×10 contact print from a digital negative using the analog historic photographic process called Van Dyke Brown. Thanks again, Tom Persinger and F295!

    Kauai Mist, 2002
    Digital capture with Olympus C2000z 2.1mp
    Printed 8×10 in 2015
    Van Dyke Brown from digital negative

    2002-Kauai-VDB-print

     

  • Winter Tree

    I was driving to a job a little south of the metro area when I passed this tree. I shot it with a 35mm rangefinder as I headed south. As I returned, I had my Nikon DSLR ready and shot it again. This is the digital image. I love subjects isolated from the background. In this increasingly visually cluttered world, it’s nice to find a simple tree.

  • A Porcupine!

    When is a woodpile also a home? When a porcupine takes up residence during the day! We were up in Crosslake, MN for the President’s Day holiday weekend, and a winter cabin demands a winter fire. As we cleared away some snow to open the shed to get some wood, a shadowy creature stirred… Slowly. It was a porcupine! I’ve never been so close to a porcupine. In fact, I’ve only seen one other in my life and that was way up a tree. This one barely moved away from us, and very slowly. On day two, I took this shot with my iPhone. Cute little guy, or, girl maybe?

  • Spring is springing, melting and flooding.

    It was a wonderful day in Minnesota today. Warm weather and sunshine. It won’t be long now before it’s above freezing almost every day 🙂