Tag: minnesota

  • Vibronauts at the Barrel House for Flag Day

    We brought the red, white, and sparkle for Flag Day at the Barrel House in Red Wing, Minnesota. Join the party when we play the Barrel House again on Halloween 10/31/2025.

    photo of Scott
    Dressed appropriately for Flag Day!

  • Happy New Year 2025!

    The Vibronauts played at the Barrel House in Red Wing, Minnesota for New Years Eve, a festive time was had by all!

    Photo of late 90s Premier XPK drums at the Barrel House
    My office on New Years Eve 2024
  • Time For Some Original Music

    I have composed music intermittently since I was a teenager. The first instrument I learned (barely) was piano, and then I fell in love with the drums. As a late teen in music college, I persevered at making sounds on a guitar since it’s hard to get people to sit and listen to a song that you wrote on the drums.

    This particular creation started in late 2019 as a chord progression on guitar. The demo was charming, but soon other instruments suggested themselves into the arrangement. Words came, too. It’s the most adventurous recording I’ve made at home so far, with a nuanced mix of more than 70 different audio tracks.

    I was almost done with the song in the Spring of 2020, but then the pandemic, George Floyd was murdered, and the US election chaos dominated the emotional environment. I couldn’t see how I could finish and share the song until the world was in a better place. Finally, in May 2021, I sat down one Saturday afternoon and knocked out the final vocals and solos.

    You can listen on Bandcamp and even download the song for free, or see the video on YouTube.

    You have to have a music video!
  • Minnesota State Fair Fine Arts Exhibition!

    One of my photographs was selected for the 2018 Minnesota State Fair Fine Arts Exhibition! After several years of solid rejections, I got one in. This is a 14″x18″ print on Ilford Classic 16×20 silver gelatin fiber paper enlarged from an 8×10 film negative in a traditional darkroom. Traditional portraiture with a large format film camera is apparently still a thing.

    8x10 film print
    8×10 black and white film portrait enlarged in a darkroom on silver gelatin fiber paper.

  • New exhibit at Amore Coffee in St. Paul

    I have the good fortune to display 18 photographs at Amore Coffee in St. Paul for the summer. There are 5 new images and I’m happy to have them out in the world. This online gallery shows what is on display at Amore with the exception of four photographs. There are prints from formats ranging from 35mm to 8×10 large format black and white film, both contact prints and enlargements.

    There are also Van Dyke Brown historic process prints and a couple of pinhole images as well. Finally, I threw in a few prints from digital files just for the fun of it. As always, something for everyone 🙂
    It’s a great shop and the fresh-roasted coffee is superb, but that goes without saying! Stop by if you are in the area.

  • Dramatic Landscape Photographs – Cloudscapes 2016-2017

    Spring is heating up into Summer. Here are some dramatic cloud formations captured between 2016 and 2017. These cloudscape photographs will be printed as archival inkjet prints and are available in several sizes.

    Three Pillars, 2016
    Three Pillars, 2016 – Available in 6×9, 8×12, & 18×24

    Anvil & Storm, 2016
    Anvil and Storm, 2016 – Available in 6×9, 8×12, & 18×24

    Landscape in Infrared, 2017
    Landscape in Infrared, 2017 – Available in 8×10, 11×14, & 16×20

    The Anvil, 2017
    The Anvil, 2017 – Available in 6×9, 8×12, & 18×24

  • 8×10 black and white film portraits

    Portraits on black and white 8×10 film

    It’s 2017 and I’m making large format film portraits with a vintage 8×10 camera that is 100 years old. This camera is the Folmer & Schwing 8×10 Home Portrait Camera No. 1 with a 14” Wollensak Velostigmat Series II lens.

    Why pursue photography with this combination? Photographs such as this one are made with a “view camera”, a camera where the photographer composes the image upside down and backwards on a ground glass on the back of the camera. View cameras use film that is typically 4″x5″ or larger, thus called large format. Often, images made with these cameras on large format film have a look that cannot be achieved in any other medium. The tonality has a smooth gradation between tones that feels open compared to smaller film formats. Also, vintage lenses designed for 4×5, 5×7, 8×10 or larger have a timeless character that is hard to replicate with modern photographic equipment.

    Part of my artistic vision is to create photographs that are not easily identified with any particular period. Sometimes clothing or hairstyle gives it away, but other times it’s hard to tell whether a photograph is contemporary or made anytime back to 1928.

    This portrait of a woman was made on Arista EDU Ultra 100 black and white film and drum processed for 9 minutes in Freestyle’s L110 developer at dilution H 1+62.

     

    photograph of a woman
    Portrait on large format film made with a vintage camera over 100 years old.

  • Van Dyke Brown Historic Process Prints

    On occasion, I make Van Dyke Brown historic process prints using a technique that dates back to the mid 1800’s. What is an alt process, or historic process print? The short answer is a print made by putting a negative directly in contact with art paper that has been sensitized to record an image. A “standard” silver gelatin black and white print is made with photographic paper available from a commercial manufacturer. To make an alt process print, the photographer brushes the light sensitive chemicals onto the paper that has been selected for the print. After the paper is dry, the negative is pressed against the paper using a contact printing frame. Then, the paper and negative are exposed to UV light, either using the sun or a light box outfitted with bulbs that will expose print-out papers.

    There are many different alternative processes and excellent books on the subject. My expertise is the Van Dyke Brown and I use 4×5 or 8×10 film or digital negatives. This portrait was made using 8×10 black and white film. You can see the brush strokes where the sensitizer was brushed onto the paper and the full border of the negative. Some people display their prints with the full border visible. Others cover the film border with a mat, showing only the image area. Although I like the brush strokes, I’d like to find some old-fashioned, cabinet card style oval mats to augment the turn-of-the-last-century style.

    Large format portrait
    A portrait made using film and the Van Dyke Brown printing technique.

  • F295 Salon Exhibition 2015

    I was excited to participate in the 2015 F295 Salon exhibit at the University Art Gallery, Frick Fine Arts Building, University of Pittsburgh. My print just made the trip back safely and it’s now on the dining room wall. This is a one-of-a-kind print, an 8×10 contact print from a digital negative using the analog historic photographic process called Van Dyke Brown. Thanks again, Tom Persinger and F295!

    Kauai Mist, 2002
    Digital capture with Olympus C2000z 2.1mp
    Printed 8×10 in 2015
    Van Dyke Brown from digital negative

    2002-Kauai-VDB-print

     

  • St. Louis Park Friends of the Arts Exhibit!

    Last week, I had the good fortune to exhibit two pieces in the SLP FOTA exhibit. I grew up in SLP so it was nice to have something in the show. Two other photographers in our Midwest Passage photography group had work in the show as well. My images were from the series that I have been doing on the flooded golf course just a few blocks from my house. The flood created a wetland bayou, disrupting a carefully manicured and managed area. The future is still uncertain for this area because the flood devastated the course.

    Blowdown was taken with an 8×10 film camera. I couldn’t get over the way nature had claimed this path between the fairway and the green. Shortly after I made this image, the groundskeepers started repairing the path and this composition was wiped away. Like so many good subjects, this was only available to see for a short time and now it will never be seen again other than in photographs. Lugging 30 pounds of gear to this spot and lingering in the stench of the bog was worth it.

    Meadowbrook Bayou was photographed with a medium format film camera early in the course of the flood. I marveled at how nature took this land back, if even for a short time.

    Blowdown

    Meadowbrook Bayou