Spring is heating up into Summer. Here are some dramatic cloud formations captured between 2016 and 2017. These cloudscape photographs will be printed as archival inkjet prints and are available in several sizes.




Spring is heating up into Summer. Here are some dramatic cloud formations captured between 2016 and 2017. These cloudscape photographs will be printed as archival inkjet prints and are available in several sizes.
On occasion, I make Van Dyke Brown historic process prints using a technique that dates back to the mid 1800’s. What is an alt process, or historic process print? The short answer is a print made by putting a negative directly in contact with art paper that has been sensitized to record an image. A “standard” silver gelatin black and white print is made with photographic paper available from a commercial manufacturer. To make an alt process print, the photographer brushes the light sensitive chemicals onto the paper that has been selected for the print. After the paper is dry, the negative is pressed against the paper using a contact printing frame. Then, the paper and negative are exposed to UV light, either using the sun or a light box outfitted with bulbs that will expose print-out papers.
There are many different alternative processes and excellent books on the subject. My expertise is the Van Dyke Brown and I use 4×5 or 8×10 film or digital negatives. This portrait was made using 8×10 black and white film. You can see the brush strokes where the sensitizer was brushed onto the paper and the full border of the negative. Some people display their prints with the full border visible. Others cover the film border with a mat, showing only the image area. Although I like the brush strokes, I’d like to find some old-fashioned, cabinet card style oval mats to augment the turn-of-the-last-century style.
I was excited to participate in the 2015 F295 Salon exhibit at the University Art Gallery, Frick Fine Arts Building, University of Pittsburgh. My print just made the trip back safely and it’s now on the dining room wall. This is a one-of-a-kind print, an 8×10 contact print from a digital negative using the analog historic photographic process called Van Dyke Brown. Thanks again, Tom Persinger and F295!
Kauai Mist, 2002
Digital capture with Olympus C2000z 2.1mp
Printed 8×10 in 2015
Van Dyke Brown from digital negative
I was driving to a job a little south of the metro area when I passed this tree. I shot it with a 35mm rangefinder as I headed south. As I returned, I had my Nikon DSLR ready and shot it again. This is the digital image. I love subjects isolated from the background. In this increasingly visually cluttered world, it’s nice to find a simple tree.
When is a woodpile also a home? When a porcupine takes up residence during the day! We were up in Crosslake, MN for the President’s Day holiday weekend, and a winter cabin demands a winter fire. As we cleared away some snow to open the shed to get some wood, a shadowy creature stirred… Slowly. It was a porcupine! I’ve never been so close to a porcupine. In fact, I’ve only seen one other in my life and that was way up a tree. This one barely moved away from us, and very slowly. On day two, I took this shot with my iPhone. Cute little guy, or, girl maybe?